Dancing Through the Minefield: Some Observations on the Theory, Method, and Politics in Feminist Literary Criticism: Annette Kolodny: “Dancing Through the. Annette Kolodny quotes. Quote:”Dancing through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism” . Dancing Through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Annette Kolodny – – Feminist Studies 14 (3)
|Published (Last):||27 March 2007|
|PDF File Size:||13.7 Mb|
|ePub File Size:||4.88 Mb|
|Price:||Free* [*Free Regsitration Required]|
In recent years, the monolithic nature of the canon has been challenged, and works by previously ignored sections of the literary world women, homosexualsand ethnic minorities have gained some footholds in the canon.
Sign in to use this feature. In other words switch traditional roles. In “Dancing Through the Minefield”, Kolodny applies this theory to the literary canonthose works of literature that are considered appropriate for study.
Added to PP index Total downloads 64, of 2, Recent downloads kopodny months 29 14, of 2, How can I increase my downloads? Lynda Zwinger – – Hypatia 7 2: June Howard – – Kolpdny Studies 14 1: History of Western Philosophy. This article has no associated abstract. I find it difficult to create a summary of this excerpt; I found so much that was enjoyable and noteworthy in it that I fear my summary may be longer than the excerpt itself.
Annette Kolodny – “Dancing Through the Minefield” | literary theory dance party
Gardiner, on the other hand, disagrees with Kolodny about the use of pluralism. No keywords specified fix it. You can leave a responseor trackback kolodyn your own koldony. The influential magazine Indian Country Today immediately named it as one of the 12 most important books in Native American Studies published in Leave a Reply Cancel reply Enter your comment here To find out more, including how to control cookies, see here: This entry was posted on Tuesday, February 20th, at 7: Through an examination of several male writers, such as Philip FreneauJames Fenimore Cooperand John James AudubonKolodny pursues the implications of this metaphorically female land.
Because of our changed assumptions, circumstances, and requirements, we get different meanings and interpretations of the same text even if we read the text at different times individually or by groups. Of these, “Dancing Through the Minefield” is the most well-known, and has been called “the most reprinted essay of American feminist literary criticism”. Because of our changed assumption, circumstances, and requirements, we get different meanings and different mlnefield even if we read the same text different times.
Indian Country Today Media Network. Fill in your details below or click an icon to log in: This is a common criticism of second-wave feminism: Secondly, readers of texts “engage…not texts but paradigms. She retired from the University of Arizona in July and has continued an active professional life as a consultant in higher education policy issues and as a scholar of American literature and culture.
The Eighteenth Century”, discusses the romanticized agrarian and pastoral ideals that coloured the view of America, especially in its comparisons to ideal lands like Elysium and Arcadiaand the consequences that arose from such ideals, such as tje exploitation and alteration of the land.
First, any construction of a literary minegield is a social construction; second, readers unconsciously engage texts from a certain point-of-view; and third, this unconscious bias present in all readers must be consciously and critically re-examined. Patterson states that “despite its language and intent, [the essay]…represents classistwhite, and heterosexist attitudes which are common in feminist literary criticism and which contradict the best of feminist thought and the aims of the women’s movement” Patterson, It is a book about needed educational innovations in the twenty-first century.
A major contribution to the field of American Studies, this book examines both Native American and Euroamerican stories of first contacts between the peoples of tne New and Old Worlds. Insofar as we are taught how to readwhat we engage are not texts but paradigms. What we need to understand in any literary history, we have to mibefield from the past in order to understand the present.
The first section is titled “Book One: By continuing to mlnefield this website, you agree to their use. Milena Kostic – – Facta Universitatis 4 1: Ecofeminists theorize that a culture based on dominating women is directly connected to social ideals that promote the environmental abuse of the earth.
Following her tenure as dean, which spanned from toKolodny was named College of Humanities Professor of American Literature and Culture at the University of Arizona. Kolodny is also well known for two essays published in It also has tones of ecofeminismwhich will be discussed below.
ENGL 810: PAB#1: On Annette Kolodny, “Dancing through the Minefield”
Several authors have criticized “Dancing Through the Minefield”. In any case, here we go. Kolodny states that “we appropriate meaning from a text…according the critical assumptions or predispositions conscious or not that we bring to it.
Male writers will be better readers if they read works written by women.
Since the grounds upon which we assign aesthetic value to texts are never infallible, unchangeable, or universal, we must reexamine not only our aesthetics butas well, the inherent biases and assumptions informing the critical methods which in part shape our aesthetic responses.